By Henry Schwarz, Sangeeta Ray
This quantity examines the tumultuous adjustments that experience happened and are nonetheless taking place within the aftermath of eu colonization of the globe from 1492 to 1947.
- Ranges greatly over the main subject matters, areas, theories and practices of postcolonial study
- Presents unique essays by means of the major proponents of postcolonial learn within the Americas, Europe, India, Africa, East and West Asia
- Provides transparent introductions to the most important social and political hobbies underlying colonization and decolonization, available histories of the literature and tradition, and separate areas laid low with ecu colonization
- Features introductory essays at the significant thinkers and highbrow colleges that experience educated ideas of nationwide liberation worldwide
- Offers an incisive precis of the lengthy heritage and idea of recent ecu colonization in neighborhood element and worldwide scale
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Extra info for A Companion to Postcolonial Studies
And only in relation to the question of the nation does postcolonialism shed its jargonized and euphemistic properties and begin to assume true, although still perhaps conceptually negative form: albeit here with the difference that the nation has become that lived space in relation to which the liberatory or utopian desire of culture seems, perversely, to have become misplaced. Keeping the category of the nation in the foreground, what I propose to elaborate in what follows is a general correlation between each of the three terms under discussion, and (A) a concrete, world-historical conjuncture in relation to which a definite emancipatory politics of the nation (or of nationalism) becomes dominant; (B) a key theoretical formulation of (A); (C) an aesthetic or metaliterary idea – in this sense perhaps a “poetics” – of the nation corresponding to (A) and conceptually interlinked with (B).
As mentioned earlier, Said’s Orientalism must be seen as the text which inaugurates the discipline as a field of study in the US. Anthony Alessandrini shows us how the theoretical paradigm first opened by Fanon, writing from within the Algerian movement for national independence in the early 1960s, is transformed for a US context radically different than the one in which Fanon wrote. In a somewhat similar vein, the essay on Bhabha and Spivak illustrates one of Said’s central arguments about “travelling theory”: both scholars, raised and educated in very different contexts in India, traveled to the West for advanced degrees and encountered extremely rarified theoretical atmospheres.
A Gayatri Spivak or Edward Said may now prefer to issue disclaimers, but no one blinks before referring to them (along with the third personage of the celebrated triumvirate, Homi K. ” Salman Rushdie and Derek Walcott are, at least in the world of academic conferences and publications, “postcolonial” authors, and the films of an Ousmane Sembene, a Wang Zhimou and even, perhaps, a Jane Campion may be said to belong to a “postcolonial” cinema. Whether these all, in turn, partake of a common condition or reflect a common ideological standpoint called “postcolonialism” is a more difficult and very likely futile kind of question.